Storytelling through video can help you advocate for a cause, raise awareness and money, train, and motivate.  And with video engagement levels and distribution platform options at an all-time high, charities, associations, government agencies and corporations are producing more reality-based short video content than ever before. But many communications teams launch into producing videos without a solid script. That can throw up unnecessary roadblocks to success. With a plan for your  nonfiction story arc and a script-to-screen process, producers can lower their overhead costs and improve storytelling impact and audience engagement.

Identify Characters: Be sure you’ve identified a main character (protagonist), which might even be your organization. Are there supporting characters? Those might be other people who can speak about this person or product or initiative.  Don’t use more than 3 or 4 characters in a less than 5-minute video, or you’ll overwhelm viewers and confuse your narrative.

Write a Script: You wouldn’t build a house without a blueprint. Don’t shoot a video without a script. Even if your video is largely based on real people interviews, you want to have some kind of game-plan going into those interviews so you can craft a compelling story. Your script can include bullet points for the topics of potential “soundbites”–something that helps you create your interview questions and craft the story line on paper before you start spending money in the field or studio.

Create Storyboards: Particularly if you’re producing a graphically-driven piece, you will need storyboards to help guide the way before you invest in animation.  For other types of videos, your storyboards can be as simple as stock images in a Powerpoint with a few descriptions beneath each one. These visuals can really help you when you’re faced with choices of how to light, shoot and edit your production.

Get Interview Transcripts: If you are interviewing people for your show, get transcripts made–a very small investment of a few dollars per minute–so you can select your soundbites on paper before spending time and money editing clips together.

Build an Editing Script: Once you’ve inserted your favorite soundbites or options into your initial script, you’ve created an editing script. Add in your selections or options for stock music and other visuals, such as stock or archival photos, videos and graphics, and you’ve got your guide-posts for a streamlined post-production process.

For more detailed tips about how to create an effective short-form branded stories on video, try my new Lynda.com course in nonfiction Scriptwriting.

Amy DeLouise is a director/producer, speaker and author who makes branded short-form videos for impact.

Social media writing challenges us all. So many platforms, so little time! Keeping a few easy tips in mind can help you focus on big picture goals.

  1. Be Yourself. Write the way you talk. Share what you think. Be authentic. If you write for an organization, be authentic to the character of the organization.
  2. Share Others’ Stories. Don’t only write about yourself, your work, your company. Share success stories of colleagues, clients, or industry innovators.
  3. Be Relevant. Post about issues that are current and trending. Look for hashtags to use that help your content break through the clutter and get reposted.
  4. Repurpose. Some content is too topical. But lots can be repurposed. A 5-minute live event video can be cut down into a 30-second webisode. A 7-second time Behind the scenes photos can accompany a tweet. Rework, reuse, recycle! Oh, and please make your media findable internally in your organization–label photos, put them in recognizable folders, metatag footage with names that people outside your edit suite can understand.
  5. Time it. Not every post will get equal views, depending on the time you post it. Weekend viewing is best for longer video clips. Late afternoons, later in the week will get you more forwards and shares. Post test messages on your favorite platforms and see what works best for your social community–each one is slightly different.

 

Amy DeLouise is a writer and video director working in short-form nonfiction that gets distributed at live events and via social networks. She speaks and writes regularly on challenges and solutions in communications, branding and video production. See her slides on social media from her workshop at #GVExpo on the speaker tab of this site.

“Helping people understand what can and can’t be communicated through video” and “Keeping viewers engaged” are two top sticking points for the video writers who attended my workshop during GV Expo this morning. We covered strategies and tools for writers to get better results with video. Top tips include:

  1. Define the goals for your video. Use a Creative brief to outline these goals, along with your story approach, point of view, creative look, and any budgetary or scheduling requirements.  Include a few success measures–“if this video is successful, what does that look like?” This might mean a lot more than number of views. It might mean the number of minutes reduced in customer service calls, or the number of registrations for next year’s event. Think measurable goals!
  2. Define your characters. A 1-2 minute video doesn’t need more than one main character.  Supplemental characters include setting and music, which play an important role in how the audience views your subject.
  3. Define your story arc. Everyone thinks about narrative arc with fiction, but engaging nonfiction stories have them, too.  What’s your hook? It needs to grab your audience in the first 15-30 seconds, before the dreaded initial drop-off in viewing happens. What’s after your hook—how do you give the back story quickly and efficiently? What’s the central challenge of the character and how do they overcome it (the climax)? And as your story winds down, do you include a call to action?
  4. Use tools and workflow. Get transcriptions done if you are creating an interview-based story. The roughly $25 per person will be worth it! Then you can focus on finding those elements that move your story forward. Plan a writing workflow that gives you the flexibility to find the hidden stories, but develop creative that meets your goals. Especially if you are writing for animation, you will have to be very detailed in your approach to story so that you allow time for storyboarding, keyframes and animation tests.

Amy DeLouise is a scriptwriter and video director working in short form nonfiction. A slide deck from her writing workshop at GVExpo is on the Speaker tab of this website. Don’t forget it’s #GivingTuesday. Join me in buying a gift for a child in need through Central Union Mission Operation Christmas Miracle.