It’s hardFoliage as Shapes - IMG_0052 s.c to find an organization today that’s not focused on, or at least giving lip service to, diversity. But have you ever considered the cost to your organization of not having a diverse leadership team? When Catalyst first came out with their study about the ROI for investors of companies with more diverse boards, many were surprised. But the numbers were clear: Return on Equity, Return on Sales and Return on Invested Capital were all significantly higher (53%, 42% and 66% respectively) for companies with more women on their boards.

The same is true for nonprofit boards.  Boards lacking diversity can make poor financial decisions, such as investing the bulk of their endowment with an investment manager  “everyone knows.” Boards lacking diversity can miss big opportunities to reach new communities and new donors. They can miss out on creating new partnerships.

So how can you create a more diverse board?

First, let’s define diversity. When I meet with boards on this topic, everyone’s first instinct is to think ethnicity and gender. These are important. But just as vital to decision-making are having people of diverse ages, life experiences, socio-economic backgrounds, family structures, and more.

Range of Ages. The most common lack of diversity I see on boards is related to age. And the most common form of ageism I see is against younger people (which on boards tends to mean under- 35). Yet the views of the 18-35 set, and their facility with the internet and social media tools, makes them especially valuable on boards.

Varied Life Experiences. Another area where boards often lack diversity is in life experiences. That’s because so many people are recruited to boards by friends, business associates or college/grad school classmates. So if you have one corporate lawyer on your board, you’re likely to have two or more. That’s not to say anything against lawyers, but there is also diversity among types of legal expertise and it could benefit your board to have more than one kind. Life experiences also include living overseas, blended families, military families, LGBT, and religious background.

Personal Attributes. A third area for boards to focus on when attaining diversity is a mix of personal styles and personality attributes. Even if you’re board is every color of the rainbow, if every person on it is a forceful leader, you’re going to have trouble filling your committees. By the same token, if everyone is a quiet, behind-the-scenes type of operator, you’ll have trouble finding committee chairs every year. You need a mix of several personality types to make a board fully functional.

Varied Connections. Finally, board diversity requires diverse community connections. One of the most overlooked areas for recruiting board members is among the clergy. Rabbis, priests, and ministers tend to know a lot of people in their communities, as well as other organizations that are making a difference there. That makes them great “connectors” to have on your board, irrespective of whether your organization has a religious mission. Other great connectors are people who volunteer in communities in which your organization wants to reach. And also don’t overlook individuals who serve on national boards, where they make contacts all across the country.

Tapping diverse talents always leads to a stronger board. And a stronger board helps you avoid costly mistakes and deliver on your bottom line: the mission.

Amy DeLouise is a video producer/director and consultant who works primarily with nonprofits and their leadership teams.

When we watch cSigning a Checkharacters on the screen, why do they make us laugh or cry? And why does one story make us want to support a charity or social cause? It turns out compelling human stories trigger a chemical response in our brains. Neuroscientist Dr. Paul Zak has been studying the neurochemical oxytocin for years, and learned that humans have a chemical response similar to animals when we find another human trust-worthy: a spike in our oxytocin makes us feel connected to another human being. Even when watching the human on a screen, this response is triggered—what Dr. Zak calls the golden rule response: “if you treat me well, in most cases my brain will synthesize oxytocin and this will motivate me to treat you well in return.”

Most recently, Dr. Zak conducted a study with several short films from St. Jude’s Hospital. When viewers connected with the characters in a short film about a father whose young son is dying of cancer, they had an increase in cortisol and oxytocin. That chemical boost ran parallel to feelings of empathy with the characters, which was increased when there was a strong “narrative arc”—a powerful dramatic rise and climax to the real people story line.

This doesn’t come as a big surprise to those of us working in nonprofit direct response and impact story-telling. We know that to get donors to give and communities to care, we have to tell powerful stories. We know that viewers must connect emotionally with our characters, just as they would with characters in a fiction film. We do this through not just their words and images, but through lighting techniques, music scoring and the pacing of our edits. But building empathy isn’t enough. We have to create a dramatic arc that builds to a climax. We have to create suspense around some kind of obstacle that the characters must overcome, whether it is in their past or present. And our viewers have to relate to that obstacle, even if it is not precisely the same for them.

This is why pre-interviewing potential characters is so essential for documentary-style stories based on real people. Before they go on camera, we need to understand what will be compelling, what will not be relatable, and what will build suspense for our viewers.  And now it turns out that what we’re also doing is triggering those chemical responses in the brain that will make our subjects and their story connect to the brains of our viewers.  In the case of nonprofit storytelling, we need those chemical responses to be strong, because we are usually looking for a response that extends to well after the video ends: we want a viewer to get involved in a cause, donate money, write to their elected officials, or change some previous behavior (stop smoking, lose weight, etc). So it turns out that all these years I thought I was an English major-turned-filmmaker, it turns out that I’m in the neuroscience business: triggering a brain response that helps people act on the golden rule, and do great things for others and the world.

Amy DeLouise is a director and producer who tells real people stories to help viewers connect with causes and take action.

Sky at Sunset In philanthropy, the saying is that people give to people, not causes. Connecting at the level of hearts and minds has always been critical to building long-term relationships with donors, and also with grassroots supporters. And the best way to do that is through storytelling.  Now that YouTube, Vimeo, and other Web 2.0 tools are giving so many nonprofits a “channel” for their stories, personal narrative is being rediscovered.  But to tell a compelling story requires critical elements.

What makes a compelling story about mission?

1.       Focus on outcomes. Everyone loves a success story. Reality TV is filled with them: obese person becomes thinner, aspiring chef wins the prize, talented singer gets a record deal.  Think of the success stories in your organization, but instead of listing them as bullet-points, express them through anecdotal stories.

2.       Focus on people. The people who make it happen and the people whose lives are changed. Who are the people who made a difference in students lives? What are those students doing today? Who is the volunteer who went into a community and changed it for the better? What is happening in that neighborhood now? What would have happened to that child without a medical intervention paid for by others? What kind of life does this child have today?  Interview-driven narratives are highly successful at building the case for donors and volunteers.

3.       Show why your organization matters. Somewhere in the narrative, you need to show viewers why your organization made a tangible difference in the outcome.  It wasn’t just random acts of kindness that led to this success. It was your people, your dedication, your/their dollars at work.

4.       Engage viewers in their own narrative. Make sure there is a call to action somewhere in your story, usually at the very end. “How can you make a difference just like Alice did?”  “With just 20 cents per day, you can change the life of a child like Shawn.” “Join us at our XYZ event to make your voice heard.”  Think about what story viewers want to create for themselves after watching yours.

5.       Provide follow-up options. If a viewer is moved by your narrative, they should easily be able to click somewhere next to the video or case study to do something–sign up for the conference, make a donation, become a member.  Despite the tendency to want sheer numbers—hey, our video got 20,000 views!—you really want qualified viewers. And viewers who will ACT once they’ve heard your story. So be sure you provide a way they can engage other than passive viewing. The framework around the video should have clickable links. And if you are participating in Youtube’s nonprofit program, you can embed links to your nonprofit site directly in your video content.

Telling and hearing stories is our oldest human instinct. Web 2.0 just makes it easier to share.

Amy DeLouise helps nonprofits tell their stories, strategize about their futures, and influence the world around them.

LyndaAmyInterviewingCoupleWhether you are a corporation or a mission-driven nonprofit, telling stories–obstacles to overcome, successes won–can be one of the best ways to show people you are delivering on your brand promise.  Human stories compels viewers and listeners in a way that other communications just don’t.   But if you’ve ever had to interview someone–whether for a podcast, video or audio program–you know that drawing out the best story can be difficult.

Three typical obstacles are: 1. the person is very nervous, 2. the person is over-confident, 3. the person has tried to memorize some talking points that don’t feel natural.

Your job as an interviewer is part coach, part cheerleader, and part edit-prep-ninja.  For the overly nervous person, you must find a way to connect–something you both enjoy doing or talking about, a person you both know, a place you’ve both visited. Your “small talk” before the interview will ensure success (or failure), so pay attention!  For the over-confident person, your job is a little different. Rather than set them at ease about the cameras and lights, you need to make them confident in your abilities to show them in their best light.  Most over-confident people are actually nervous people in disguise. So your job is to make them feel like the leader, when actually you are leading them to a better performance. The final challenge-someone who has over-prepared–is always daunting. Often I just let them get through all their points, even though it’s wasting time, so we can finally get to the “real” interview.  Once you’ve gotten a subject to feel relaxed after they’ve completed their “performance,” then you can ask follow-up and clarifying questions on key points to develop the themes and answers you know will work for your production.

Amy DeLouise loves to draw out stories through interviews. For more of her tips and tools for interviewing sucessfully, try Art of the Video Interview on Lynda.com.

Photo taken at a distance so you can't see the wrinkles!

Photo taken at a distance so you can’t see the wrinkles!

When my husband lost his job in the 2009 recession, we cut all non-essential expenses. But even after he was still looking 9 months later, I held off on cancelling my mail-order wrinkle cream. It seemed like giving up on the dream of staying put in the middle class. (My other dream to get rid of spider veins did go on hold, however, since that would cost thousands not covered by insurance, least of all our only-if-you-get-hit-by-a-bus stop gap plan.) My husband did finally get a job. But now I’m eying the wrinkle cream as a possible budget cut now that our older son is headed to college in a year.

And so, like many other Americans—mostly women—my face tells you my economic story: it’s OK, but it could be a lot better.

Like many families, we are working harder to stay in the same place. According to most statistics (CBO, etc) real family income for the vast percentage of us has been dropping since the 1970’s. During the same period, plastic surgery for the upper income –and even upper middle—group has grown exponentially. More than 14.6 million procedures in 2012, according to the American Society of Plastic Surgeons (ASPS). Americans spend more than $14 billion A YEAR on cosmetic surgeries and procedures. And boomer men are getting in on the action in order to “stay in the game”—i.e. find and keep meaningful work.

But apparently there’s hope for all of us without deep pockets to rejuvenate our looks and keep our visual brand young. Just as you can finance a college education, a house or a car, you can get financing for plastic surgery procedures! More than $1 billion of procedures every year is financed by companies such as medical credit cards (low intro rates, then they hit you with interest and fees), unsecured medical loans or even special doctor payment plans. Maybe there’s a face lift in my future after all?

Amy DeLouise, wrinkles and all, is a multi-media producer and branding consultant.

 

labyrinth copyright B.DeLouiseWe’ve had a seismic shock here in Washington, DC. What can be learned from Eric Cantor’s historic loss of his seat and his position as Majority Leader?

Inside the Beltway, everyone thinks this is the first upset of its kind. Maybe in the annals of politics. But this kind of stuff happens every day to consumer brands. It happened when Tropicana tried to roll out a new look, and outraged its base consumers.  It happened when New Coke forgot what Old Coke had done for the world.  On the successful side of brands expanding their base, Miley Cyrus has been doing a pretty good job of transitioning from Disney Good Girl into a grown-up singer, MTV Awards twerking and all.  Not that I would recommend this approach to Members of Congress.

So what lessons can a brand draw?

  1. Know who your “grassroots” supporters are. Even when you have dreams of national expansion, or a re-brand, be sure you are not straying too far from your core competencies.
  2. It’s OK to try to shift your niche or broaden your appeal, but then you have to be sure your core constituencies—whether they are voters or stockholders or parents of a school or donors and volunteers of a nonprofit—will come along for the ride. OR, that you can do without them.
  3. And don’t attend a big-ticket fundraiser while your volunteers and supporters are sweating in the trenches, as Eric Cantor did on election day.  Your rank and file supporters/volunteers/consumers are actually part of your brand, so don’t diss them.

Amy DeLouise is a digital media producer and brand strategist.

3 Glass Bottles-1b sGetting applause for your content isn’t enough. So while Facebook and YouTube likes are nice, it’s more important to know if you are engaging the right community, and causing them to change knowledge, beliefs and attitudes—the precursors to behavior change. You can use embedded polling, an online survey, a focus group or a full-blown pre/post study—anything that will give you some data to make decisions about what kind of content to create, and how to deliver it more effectively.

There are plenty of great tools out there to help you discover what motivates your audience.

—  www.websurveycreator.com

—  http://kwiksurveys.com/

—  www.surveymonkey.com

—  http://www.google.com/drive/apps.html#forms

—  http://www.zoomerang.com/

—  http://www.surveygizmo.com/

—  http://polldaddy.com/

—  http://www.formsite.com/

—  www.constantcontact.com

www.batchgeo.com    also helps you map your data–literally, on a map! (although it wouldn’t let me put US and international locations on the same map, hmm.)

Don’t forget you can also survey in person. For example, here are the results of a quick in-class survey from my workshop on Researching Your Audience for Better Content Impact this morning at #NABShow in Las Vegas. Thanks to my terrific—and, as you’ll see, geographically diverse—participants, we had a great session.

Sample size: 37

Average age: 36

US Geographic Diversity  

Geo Diversity Amy's NAB Research ClassTop reasons for coming to #NAB: Checking out post production technology, trans media, gear: camera, lighting and audio; digital publishing ; how to develop engaging material for internal audience; how to get more views on content; discover what production is like outside our country.

 Amy DeLouise is a content producer who cares about research and speaks at major conferences and events. She tweets @brandbuzz.

 

 

 

Labyrinth_HigherEdAmyDeLouiseBlogIn a word, yes. Especially in a hashtag- and keyword-based world. Of course, not every organization needs a tag line. The American Red Cross does not use one. But then, you know what they do and how they do it. Sometimes, the very best tag lines tell you why an organization does what it does.  In consultant-speak, this is called the “Vision” of the organization (as opposed to the Mission, which is the what and the how). So, your mission might be to feed the homeless, but your vision is a world without homelessness.  And that premise–and your passion about it–should underly your tag line.

The Salvation Army has a tagline:

Doing the Most Good®

It’s a little generic. But my guess is they decided to have this because the words “salvation” and “army” both carry heavy negative connotations. The word “good” by contrast, has a very warm and fuzzy feel to it. “Doing” demonstrates an active stance. “Doing good” could describe pretty much any nonprofit. By adding in “most” they are communicating effectiveness and efficiency–the best use of your money.

Many nonprofits less well known than The Salvation Army use a tag line to enhance identity and market positioning in a crowded space. Particularly if the name does not provide full clarity about their Mission or Vision.  One of my favorites is the tag for Common Cause: Holding Power Accountable.

When developing a tag line, there are three steps you can take to help you:

1. Define Your Brand Personality (smart, young, respected, edgy, etc.)

2. Define Your Vision (the way the world would be if you succeeded 100% in your mission) and what makes you so passionate about it.

3. Determine Your “Gap”–that is, the gap that might exist between what your name says and who you are, which is often the gap between what people know about you and what you WANT them to know about you.

Defining your message in just a few words can be a challenge, but a tag line can go a long way towards helping you define your identity in an ever-crowded marketplace.

Amy DeLouise consults on nonprofit branding, and produces digital content to promote those brands.

Many nonprofits struggle with how to engage the board in branding and marketing. Sometimes staff even view the board as adversaries in this work, who think marketing is a distraction from mission. But the board may be your hidden asset if you give them the right tools. Consider these five ways to engage the board on behalf of this important work.

1. Connect Marketing to Mission. Board members are involved because they care about the mission and are connected to it in some personal way.  Set aside time at one meeting to have each board member identify a core aspect of your mission that they find most important and why.  Have each board member name one or two ways they could connect another circle they move in (social, work, alumni, etc.) to this aspect of your mission.

2. Find Examples From Other Spaces. Nonprofit board members often work in the for-profit world. Bring them examples they recognize–from banking or real estate or law.  A legal video that went viral on YouTube (there are some!), a business Twitter campaign, a newspaper story that generated web views and buzz. All of these can help your brand ambassadors understand the role of marketing in delivering on the mission.

3. Help Board Members Use Social Media. Many board members skew older than staff.  They may not be comfortable using social tools, or they may not consider using them to promote the work of the organization. Give board members monthly updates with hashtags, photos and other resources to help promote your upcoming fundraiser or event.  Give them examples of how retweeting or tagging and posting a photo on their Facebook page might net you hundreds of new views and real dollars.

4. Give Board Members Tangible Updates of Your Messaging Impact. Give board members an inside look at your social metrics–what pages on your website are most “sticky” and why, how many people follow your blog, what happens when you tweet, when you post a new item on Facebook.  Give them not just numbers but stories about who your communities are, what they need from you, and what they respond to.

5. Show and Tell. Do a live demo of as you interact with various communities and constituencies through your different social networks. Let board members see in realtime the kind of impact you have, and how the message can be multiplied exponentially.