Tag Archive for: Amy DeLouise

Can you believe it was just 2005 when YouTube was invented? Since then, millions of companies, nonprofits and government agencies have seen the impact of telling their stories through video.  And with so many tools–from iPhone cameras to Videopad Video Editor–you can do it yourself.  So why bother hiring a professional video production team?  Consider these:

1. Time.  Good story-telling and mastering the technical tools to make it possible can be much more time-intensive than most people realize. Typically I spend a minimum of 100 hours on a 5-6 minute video project, but often more. The work starts with developing the concept and script, but also includes selecting the right people to be part of the story and the best technologies to deliver the content. You’ll have more time to do your real job if you are overseeing others doing this work, but not actually doing all the tasks yourself (like logging footage for editing–a real time suck!). You’ll also be in a better position to make the Decisions That Matter–like What are the key values of your organization (your brand story), Who is the target audience you want to reach, What do you hope to achieve with the video and How will you measure your success?

2. Quality. A professional video production team has decades of experience that can maximize impact for budget. Areas of expertise include: creative direction, writing, storyboarding, camera equipment and lens options, sound recording and equipment selection, interviewing techniques, lighting design, set design, casting, makeup, music licensing, voiceover artist selection and direction, editing (absolutely Huge part of good storytelling!), motion or still graphics design, audio mixing, etc.  Every one of the decisions of the team will impact the final production, so choosing the right team leader (the Director/Producer) and the right person on your team to manage that person (your Communications Director, or a point person on your team who can help funnel decision-making) is a big and important decision for your team to make.

3. Dependability. Hiring a professional team should give you a dependable workflow and schedule for your project, even if it means shooting in your office and working around other people’s schedules. By hiring people who must show up for shoots and edits on a certain timetable, rather than depending on colleagues who have other work to deliver, you can ensure you hit your upload deadline on time.

4. Flexibility. A quality professional team should ask a lot of questions at the outset so they understand what the final deliverable format(s) are optimal. If you want flexibility–to put something up on the web as H.264 video, but also compress it for mobile web and Also be able to use it on a big screen at your next annual meeting–you’ll need the team to know that and “bake it in” to the acquisition specs and workflow for the project.

The big downside to hiring an outside production team is, of course, cost. A professionally produced 5-6 minute video costs $2,500 per finished minute on the low end, and goes up from there depending on number of shoot days/locations, complexity of editing and graphics, professional talent, etc. But often people don’t consider the hidden “opportunity cost” of do-it-yourself work.  Such costs can include: not properly formatting video, so it won’t play on your site or on mobile web; not properly licensing music so that you are at risk of being sued or having your video pulled down; having the production take many more hours to create, because the folks creating it have to learn the craft as they do it; losing sight of the goals of the production, because everyone on your team is too busy to consider the big picture. Not to mention losing sight of your actual job!

The upside to do-it-youself is–well–you get to have the fun of creating a great and compelling story and bringing it to a wider audience.

If your child brings home artwork you want to reprint on a mug, or a poetry series you may want to publish some day, think again. Your county school system may own the copyright. At least that’s what a new proposal by the Prince George’s County, Maryland Board of Education would do. Approved by a vote of 8 to 1 last month, this rule says that the school board owns work done by the school system’s staff and students–even if it’s done on their own time. The school system says it is only trying to protect its interest in digital apps developed by teachers on school-owned iPads. 

Even so, I find this proposal a major over-reach.

It’s not unusual for universities to have policies of sharing in the intellectual property developed by faculty members, particularly patented inventions, drugs and medical discoveries. To me it seems odd, though, to take this practice into the K-12 educational environment, where teachers don’t get susbstantial income from grants or publications as do their colleagues in higher ed. And if a teacher does develop a great educational app for their class and sells it (and one would expect there would be development and marketing costs associated with that), why shouldn’t they reap the benefits?

It’s even stranger to suggest that work done by students–whether in school or at home–would somehow belong to the school system. Particularly when it is a public education system paid for by those very families!

At the very least, the whole proposal seems antithetical to the mission and values of an educational system–to encourage creative and  Innovative thinking.  Maybe I’m missing something here. What do you think?  Feel free to post comments here and also email your thoughts to the PG County Board of Ed board.comments@pgcps.org  and the Superintendent of schools superintendent@pgcps.org.

Is your company encouraging you to bring in referrals from your social networks? Are you using your social web connections for your next career move? The New York Times  recently ran an interesting story (prompting hundreds of comments) about this practice. It identified companies such as Ernst & Young who have “set ambitious internal goals to increase the proportion of hirings” from their own employees.  Accordingly, employee recommendations at that firm make up 45 percent of new hires (non entry-level ) up from 28 percent two years earlier. Wow. That is a huge jump.

My takeaways from this trend are two-fold:

  1. Employees: Get your social networks in order! If you haven’t already, be sure you are keeping up your connections, updating your resume, and getting “recommendations” on Linked In before you need to job search.  When you do search, remember that you can mine your own networks—much like these companies are doing looking for you. In Linked In, for example, you can use the “search” function to find companies you are interested in applying to. This will generate a list of contacts. Some of these will already be your contacts. Others will be one or two degrees away from you, and so you can ask for a referral from your own contact to reach them. You’ll of course need to do more than shove your resume at your new contact. Generate dialogue inside and outside social web to let them know your skills, ask them questions about the company, etc.
  2. Employers: Re-examine fairness in hiring practices in the new social web context. Today’s social networks can resemble the “good old boys” network of yesteryear. Just as social clubs once excluded the outsiders of the day–including women, Jews, and African-Americans—people’s Facebook and Linked In Networks can also be limited by race and ethnicity, but also educational background, religious affiliation, and other factors.  By asking  employees for referrals from these, are we just moving an old practice onto a new technology platform?

I’d be interested to hear your thoughts.

Let the hand-wringing begin about unit coherence problems if men see women naked and tired (wait, I’m having a flashback to the delivery room). The real impact of the Pentagon’s decision to greenlight women in combat roles is giving female soldiers access to more than 200,000 jobs previously off limits. Along with promotion eligibility that used to be off the table.

This is not new territory. In the corporate world, women were shut out of boardrooms for most of the last century, and even now according to the Committee for Economic Development, women in the ranks of Fortune 500 boards number just 16%.  (That’s the same percentage of women who are uniformed officers, by the way.) This lack of boardroom experience is often cited as the missing criterion for women seeking top corporate posts.  Just like a lack of combat experience  shuts many women out of top military posts. And top pay. 

In the arts world, the story is the same. Few symphony orchestras have ever had a female conductor. With a few historic exceptions (Antonia Brico – Berlin Philharmonic, 1930; Nadia Boulanger – Boston Symphony Orchestra, 1938), Marin Alsop at the Baltimore Symphony is one of the only women conductors leading American orchestras today. And no woman has ever led the “Big Five,” which pay at the top of the scale (New York, Boston, Philadelphia, Cleveland and Chicago). 

I’m hopeful that qualified and determined women can now get access to top-paying careers in the military.   So more can join the ranks of Gen. Ann E. Dunwoody, the first woman promoted to four-star general—waaaaaay back in 2008.

If your development director isn’t delivering on fundraising as you’d hoped, you’re not alone. According to a new national study by CompassPoint and the Evelyn and Walter Haas, Jr. Fund, many nonprofits are not raising the money they need to succeed. For those on top, one of the key factors was “a culture of philanthropy” by an almost two to one margin.

What does a culture of philanthropy mean? According to the study:

  • People across the organization act as ambassadors and engage in relationship building.
  • Everyone promotes philanthropy and can articulate a case for giving.
  • Fund development is viewed and valued as a mission-aligned program of the organization.
  • Organizational systems are established to support donors.
  • The executive director is committed and personally involved in fundraising.

At the heart of many of these success indicators is storytelling. And in today’s world that means harnessing digital media and social networks. Here are some ways to incorporate those tools in your fund raising work.

  1. Mission ambassadors and relationship building -Make sure board members, alumni, and other key supporters and donors use their social networks to promote your story. That means traditional social networks (i.e. speaking to friends about your organization), but also digital networks. Provide these boosters with regular support—like emailing the right hashtag to use when tweeting about an upcoming event, or sending them links to a new video on your web or Youtube page that showcases your mission in action.
  2. Everyone promotes philanthropy and can articulate a case for giving-Provide “elevator pitch” training volunteers, including board members, but also to staff who are not directly involved in fund raising.  Help these natural supporters explain the case for giving by explaining their own passion for the organization and their connection to your mission.
  3. Fund development is mission-aligned-Be sure budget presentations show your outputs (results) in terms of mission accomplishments, not just programs. Video and photos can be a great way to demonstrate this impact (and keeps people from falling asleep in budget meetings)
  4. Organizational systems support donors.- Cultivation systems and databases are critical. But one of the most overlooked “systems” is creating an internal online-accessible library of images, fund raising scripts, and videos that volunteers can use to make the case for support. Once you’ve create this space, be sure to encourage staff to update it regularly, so that new content is always available for the latest stories about your mission success.
  5. Executive Director commitment to fund raising. – Part of fund raising is not just meeting with prospective donors and making the ask, but raising the profile of the organization and its mission. ED’s can often raise their personal profile and reach a wider community efficiently by taking advantage of social media tools: regular blog writing, microblogging on Twitter, or even photos uploaded from events to Instagram.

There’s no magic potion for development success, but digital tools give us more of a boost than we realize.

Amy DeLouise frequently works with nonprofit boards, leaders, and marketing staff to improve their branding impact–in other words, how they tell their mission story.

Here are two stats about Milliennials that strike me as worth mentioning. #1: the under-30 crowd increasingly does not associate itself with any formal religion. (Pew Research 10/12 ).  #2 This same under-30 crowd has the lowest gun ownership, compared with all other age cohorts. (General Social Survey). Gallup-None-NPRGraphic2

ImageNow, a social scientist might say these trends are unrelated.  Ahh, but that’s where the storyteller/ branding aficionado in me begs to differ!   Rather than clinging to their guns and religion, it seems Millennials don’t particularly like associating themselves with the brands and organized institutions of the past.   They like to be independent thinkers. In fact, Millennials identify themselves politically as Independents, rather than D’s or R’s (another study).  

And while they don’t need any formal institution like a political party telling them what to believe or say, Millennials definitely keep up with their peers through social media. No, not Facebook you old boomer people.  I mean  Instagram, Tumblr, Reddit and Twitter.

But here’s another interesting stat: 71% of Millennials have raised money for/on behalf of a nonprofit. And for those who haven’t, the main reason is that NOBODY ASKED. Shouting, sorry. Image

What that says to me is Nobody Asked in a Medium They Pay Attention to, anyway. Also, they like learning about nonprofit opportunities from their peers. And they like to know that what they do or give will Actually Make a Difference (see my other posts on showing nonprofit impact w/video stories!)Image

So….if you want to reach Millennials, remember that they…

  1. probably won’t shoot you
  2. nor will they pray for you (at least, not in a formal place of worship)
  3. do like to think for themselves
  4. don’t necessarily like being Official Members of Organized Groups
  5. and if you want their time and money, please have one of their peers ask them nicely for it
  6. Oh, and show them your results please!

3 Glass Bottles-1b sWhen a national opinion poll shows you’re less popular than root canals and head lice, you know your brand is in trouble.  Public Policy Polling’s just released poll on Congress found just that.

If your own brand is in trouble, what are some emergency measures you can take?

  1. Own it, don’t avoid it. “Yes we made a mistake, yes we’re going to fix it” has been proven time and again to work better than avoidance. Remember the famous Jeffrey Jarvis Dell Sucks fiasco.
  2. Use social media. If a customer calls you out on a mistake through social channels (i.e. comments on your website, Facebook page or Twitter), apologize directly through the same social channel and explain how you will solve the problem. That way, other customers see you take action. Take a page from the best online retailers here (Zappos, for example).
  3. Let authentic positive voices drown out negative ones. If you are being hammered by an outlier unhappy or even vengeful voice, engage your supporters to drown them out, rather than trying to take them on yourself. This can include encouraging (through other channels like email) your supporters to post positive comments, or even upload positive videos about their experiences with your product or organization.

Of course all of these suggestions only apply when the individual/company/organization takes responsibility for the quality of its work. Much as I love my hardworking friends who are staffers on the Hill, this may or may not apply to Congress as a whole.

labyrinth copyright B.DeLouise120 Million viewers worldwide. It’s an enviable demographic, let alone for a PBS show. Downton Abbey has proven to be the most-watched Masterpiece series in history, with fans from China to Norway to Brazil.  What makes it work? According to creator Julian Fellowes, who won the screenplay Oscar for Gosford Park, it’s the universality of its themes. While factually British, “most of the stories are about emotional situations that everyone can understand” he told the New York Times in a recent story.  

When I’m asked what videos work best for social web (and also for live events)—I say the same thing: bring the audience into emotional situations they can relate to, even aspire to. Whether you are promoting a charity or a membership association, a corporate enterprise or a commercial product, your video needs to connect to your viewers/donors/buyers on a personal level. Videos that get the most shares, embeds, likes and forwards are usually those with a first-person storyline, authentic voices, in relatable situations. They don’t include “an introduction from the CEO,” nor are they heavily branded with logos and taglines.

So here are a few Do’s and Don’ts for your 2013 video projects, based on the wildly successful Downton formula:

  1. DO use the number of characters people can follow for the length of viewing. Downton has about 15 characters, but it is a weekly, 90-minute drama; so if your video is only 90-seconds long, don’t include 5 interview subjects! Try no more than 3 people per 120 seconds, for a max of 6 in a 10-minute show (which is too long anyway).
  2. DON’T use your CEO, Board Chair or other head honchos on camera unless they are funny, or willing to be seen in an unconventional or even unflattering light (a la CBS’s “Undercover Boss” or the IBM spoof of The Office “Mainframe: The Art of the Sale”).
  3. DO find compelling “plot lines” that show your organization’s effectiveness in real situations or highlight the reason your product or charity exists.
  4. DO be willing to let your viewers contribute their own ideas and provide opportunities for them to follow your “characters” in other online and offline venues.
  5. DO put as much production value (i.e. budget) into your video as you can possibly afford—people notice, especially in HD.
  6. DON’T be afraid to be traditional—just do it well!

Red Berries - IMG_4552 sHere’s an equation for you: Tanking economy + overpriced colleges + online education = more college dropouts. Today, thousands of college-aged students are opting out, or dropping out of college.  And with heroes like Steve Jobs and Mark Zuckerberg, who can blame them? The “UnCollege” experience, as outlined in Alex William’s recent New York Times article, allows these students to conduct self-directed learning over the internet, and on the job.  A love of learning should be the outcome of any educational program, so I’ve no issue with the do-it-yourselfers. Maybe sitting in lecture classes makes you stupid, unable to seek knowledge in more interactive and personal ways. I’m also for on-the-job learning. I did that myself, jumping into TV production right out of college and getting my School of Hard Knocks MBA by launching and managing three small businesses starting at age 23.

But I’m also torn about the idea of missing out on college. For me, the experience was so much more than classes. It was learning how to get along with roommates, having out-of-class debates with professors, and lasting experiences and friendships through extra-curriculars. Not to mention a great network of people to know after graduation. Even if the internet had been around back then (computers were in their infancy–by my junior year we could play Pong), I’m not sure I would have had the skills and knowledge to search the web properly, or make a rational plan for acquiring the things I needed to know. Not that my college course selection didn’t have a certain randomness to it. Along with social pressures not unlike today’s, what with choosing classes that your friends liked.

Watching my kids manage technology, I’m in awe of this digital native generation that knows its way around these devices and the internet. Maybe they can self-educate.  Oh, wait. They are playing another round of Madden instead of doing their homework. Maybe not.

The problem is, faced with all this technology, many schools aren’t helping kids make choices. My high schooler is typical in that his school bans the use of iPhones, laptops and the like during class time. Shouldn’t his teachers be embracing these technologies and integrating them into the classroom? Isn’t the Smart Board so, um, yesterday?

So I’m worried about a generation of digital natives without filters or true internet research skills, who then opt for self-teaching instead of college.  What strategies do they really know to determine what’s good and bad information? Can they make productive plans about what knowledge to acquire about which subjects? Do they understand who is behind the information they see? Do they have the basic cultural competencies to have decent conversations about books and films and ideas?  Maybe more than I realize.  They certainly know enough to be cheating in record numbers. I just watched a one-hour documentary “Faking the Grade” that taught me ways to cheat in school I hadn’t even considered—though the technologies involved are often ones I use all the time to make videos.

So this all makes me wonder: Can the do-it-yourselfers get the same benefits as those who go to college? Are they more self-directed as learners? Maybe these kids don’t feel the pressure to cheat as much as the ones trying to get into/succeed in college? Or maybe they just cheat in different ways? 

I’ve no answers, only questions. Interested to hear your thoughts.